Love Me Tonight (1932)

Music has been the backbone of the cinema experience since Méliès visited the moon. Live pianists acted as soundtrack, from lightheartedly accompanying The Tramp’s adventures, to striking a dagger-like chord in Nosferatu. But The Jazz Singer changed everything as it synchronised the act with the beat. Ingenious filmmakers discovered ever more inspiring ways to wield […]

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Freedom For Us (1931)

Film is a format of possibility able to represent reality starkly as the Lumiere brothers originally intended, or distort the world into Méliès magic. I remember first setting my eyes on the fabulous destiny of Amelie unfolding in a Paris of impossibility on an Earth that doesn’t exist. Jean-Pierre Jeunet recreated life on his terms. […]

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